Russia Under Western Eyes: From the Bronze Horseman to the Lenin Mausoleum by Martin Malia

A percentage of the proceeds from your purchase of this book from Amazon.com will benefit the
Ashbrook Center.

As the dust clears from the fall of Communism, what will Western eyes see? Russia, the unclaimed orphan of Western history? Or Russia as she truly is, a perplexing but undeniable member of the European family? A dazzling work of intellectual history by a world-renowned scholar, spanning the years from Peter the Great to the fall of the Soviet Union, this book gives us a clear and sweeping view of Russia not as an eternal barbarian menace but as an outermost, if laggard, member in the continuum of European nations.

The Russian troika hurtles through this book. The Spectre, modernity's belief in salvation by revolutionary ideology, haunts its pages. Alice's looking glass greets us at this turn and that. Throughout, Martin Malia's inspired use of these devices aptly conveys the surreality of the whole Soviet Russian phenomenon and the West's unbalanced perception of it. He shows us the usually distorted images and stereotypes that have dominated Western ideas about Russia since the eighteenth century. And once these emerge as projections of the West's own internal anxieties, he shifts his focus to the institutional structures and cultural forms Russia shares with her neighbors.

This is not a book about Russia as such; it is a book about Europe as a whole, offering an original perspective that reconceptualizes Western history. Here modern Europe is depicted as a West-East cultural gradient in which the central and eastern portions respond to the Atlantic West's challenge in delayed and generally skewed fashion. Thus Russia, after two centuries of building then painfully liberalizing its Old Regime, in 1917 tried to leap to a "socialism" that would be more advanced and democratic than European "capitalism." The result was a cruel caricature of European civilization, which mesmerized and polarized the West for most of the twentieth century. As the old West-East gradient reappears in genuinely modern guise, this brilliantly imaginative work shows us the reality that has for so long tantalized--and eluded--Western eyes.